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Portraits by Drew Kopf:
I have been fascinated by the human figure and the humane face and have marveled at the ways that artist have been able to capture the likenesses of their subjects. The images of famous statesmen and monarchs on coins; the faces of George Washington, Thomas Jefferson, Abraham Lincoln and Theodore Roosevelt carved into the face of Mount Rushmore; great photographs of Joseph Karsch; and portraits in pen and ink, pencil, watercolor, pastels, charcoal and oil paints capture my eye and make me ask, “How did he do that?”
There is something about showing someone a portrait of them that has captured not just their likeness but a certain way that they look or are that is very rewarding to me. I want to depict the essence of a person at a certain moment in time; the glint in their eye that tells a story of what they are like; their self-confidence, their inner strength, their warmth; their vulnerability; their humility; their frustration; their pain; their wonderment; their greatness; in short, their humanity.
I have been sketching people informally since the year 2000 after a trip to Paris France when we visited as many museums as we could and reveled in the talent we kept witnessing. Perhaps it was because we realized that the chance of our returning to see these works of art again soon, if at all, made us want to see as much as we could and to linger in front of them as long as time permitted. Our complacency at home in the United States allows us to put off the pleasures of visiting museums as often as we might were we to know that we might miss something if we did not take advantage of the easy availability of such wonderful works of art.
The same is true of trying
my hand at painting on my own. But, I approached it in a cavalier manor; using
it as a sort of easy substitute for the joys I got from directing plays years
ago. But, the more I painted the more I wanted to paint better. My library
of painting related books grew. My sisters and my mother helped launch me
into a more formal study by giving me a gift certificate to the Long Island
Art League. Since then my pursuit of the portrait has been more directed.
Below are ones I have culled from the many sketches and painting that I made.
I place them here as much, if not more for myself to see than for others.
But, I do hope you see something in them that makes you ask, “How did
he do that?” And, if you do, I would then encourage you to try it yourself.
It is a wonderment.